. . . thoughts, questions, and analyses that relate to . . .
harmony (classical, jazz, Impressionist,
of other cultures . . . )
musical time (explorations of early
Stravinsky, and modern jazz)
form . . . orchestration . . . film music
. . . for composers, improvisers and musicians . . .
who really think about the music they love
who transcend genre
who believe that, sometimes, the most
valuable pursuits are those undertaken
with no aim . . .
other than the pleasure
of the path itself